In a further exploration of the Mega-Books writers’ guidelines from the early 1990s, some of the topics which were off limits in the Syndicate era were allowed (murder) while some topics used in early books (drugs or alcohol) were prohibited.
A guide to writers of Nancy Drew books for Mega-Books provides details on the scope of the modern series. The procedures were different from those used by the Stratemeyer Syndicate.
Edward Stratemeyer owned a story paper in 1896 and 1897 called Bright Days. This explores some of the typefaces used for the titles and advertisements.
The last week in September is considered to be Banned Book Week. In 2019 this is Sept. 22-28. While you will see lists of many books that have been “challenged” or “censored” over the years, most of the time our juvenile series books are not listed. Yet, the librarians who wanted to impress fellow librarians, […]
A.P. Tedesco was the art director for Grosset & Dunlap and he led the redesign of most of their line, including Nancy Drew. The redesign included new body and title typefaces.
The typeface used to publish a book is of significant importance to the readability and overall success. The early Nancy Drew books, along with many other Syndicate books, used a particular typeface that was one of Edward Stratemeyer’s favorites.
Celebrating Edward Stratemeyer’s eldest daughter, Harriet Stratemeyer Adams, who led the Stratemeyer Syndicate for more than half a century, twice the span her father was in charge.
The Nancy Drew books had a wide range of mysteries but they were not murder mysteries. The formula for stories was refined to direct the number and placement of illustrations and cliffhanger chapter endings.
For a writer who is a plotter (rather than a “pantser”), the outline is an important guide to the project. See how the Stratemeyer Syndicate outlines evolved over time.