The first volume of the Ted Scott series was an obvious retelling of the first solo Transatlantic flight by Charles A. Lindbergh in May 1927. From time to time a reference is made to how quickly the story was rushed into print. An examination of the dates is interesting. Charles Lindbergh departed from Roosevelt Field, Long Island, […]
In a further exploration of the Mega-Books writers’ guidelines from the early 1990s, some of the topics which were off limits in the Syndicate era were allowed (murder) while some topics used in early books (drugs or alcohol) were prohibited.
A guide to writers of Nancy Drew books for Mega-Books provides details on the scope of the modern series. The procedures were different from those used by the Stratemeyer Syndicate.
Celebrating Edward Stratemeyer’s eldest daughter, Harriet Stratemeyer Adams, who led the Stratemeyer Syndicate for more than half a century, twice the span her father was in charge.
The Nancy Drew books had a wide range of mysteries but they were not murder mysteries. The formula for stories was refined to direct the number and placement of illustrations and cliffhanger chapter endings.
For a writer who is a plotter (rather than a “pantser”), the outline is an important guide to the project. See how the Stratemeyer Syndicate outlines evolved over time.
Would you like to write your next National Novel Writing Month project like a Nancy Drew mystery story or another classic Stratemeyer Syndicate book (original, of course?). In this thee-part series learn how the Syndicate produced its popular books.
Photographs and articles in popular science publications influenced the Syndicate stories. The Santos-Dumont No. 14bis seems to have made an impression on Stratemeyer, Garis, and their artists.
With all of its secrets, more is known about the Stratemeyer Syndicate than is known about the book packager that followed them, Mega-Books, after Simon & Schuster bought the Syndicate.